Artist websites and music SEO

Six Essential Pages for an Artist Website

Bradley J Simons
Bradley J Simons
4x Juno-nominated producer · founder of Velveteen
The short answer

Start an artist website with the six visitor jobs in this guide, then build only the destinations the project can maintain. The model does not require six URLs. Combine related jobs when the content remains useful and linkable; separate them when the audience, update rhythm, campaign, primary action, search intent, or need for a stable crawlable URL becomes distinct.

Lead visual

The smallest clear site map

Home

identity + priority

always visible

Music

release context

separate when catalog grows

Live

dates + tickets

separate when active

About

bio + proof

combine only when short

Press

assets + contact

separate for campaigns

Contact

inquiry + signup

separate actions

A page-job board for deciding what belongs in navigation and what can share a destination.

Audience · Owned web

Page architecture map

Use this for

Separate a website job when it needs its own audience, URL, content depth, update rhythm, or primary action.

Watch for

Combining everything can bury the next action, while splitting thin content can create empty pages no one can maintain.

Check

Home, music, live, about, press, and contact jobs; navigation labels; internal links; page owner; update trigger; and acceptance test.

Result

The smallest clear site map that helps fans, press, bookers, and search systems reach the right destination.

Part of the Artist websites cluster.

Key takeaways

  • Design around visitor jobs before choosing a menu or template.
  • Combine jobs only when clarity, URLs, and maintenance survive.
  • Give releases and campaigns durable pages when they have durable context.
  • Hide empty sections instead of publishing thin placeholder pages.
  • Assign every page an owner, update trigger, and acceptance test.

When should each artist website job get its own page?

Combine-or-separate chooser

Split only when the job earns a destination

Home

Use when

Every site needs one canonical root for identity, orientation, and the current priority.

Avoid when

It becomes a duplicate of every other page instead of routing the visitor.

Music

Use when

Releases, credits, context, and actions need more depth or durable URLs.

Avoid when

There is one embedded player and no visible information beyond the home page.

Live

Use when

Dates, ticket links, venue details, or booking context change independently.

Avoid when

No shows or useful booking material exists; hide the menu item or combine a brief note.

About

Use when

The identity, verified story, credits, image, and profiles need a stable reference.

Avoid when

A two-sentence project can be explained clearly on Home without burying the current action.

Press

Use when

A release campaign requires a shareable, crawlable page with approved assets and direct media contact.

Avoid when

The only content is the same short bio and image already visible elsewhere.

Contact/signup

Use when

Inquiry and fan-consent actions need separate promises, owners, confirmations, or data handling.

Avoid when

One form mixes booking, press, support, and marketing consent without routing.

What acceptance test should every page pass?

Six-page acceptance audit

Content, action, discovery, and ownership

Home

Preferred artist name, current priority, one primary action, and paths to core jobs

A new visitor can orient without reading the complete site.

Music

Visible release context, accurate credits/dates, playable or outbound action, and durable link

The catalog has owned meaning beyond an embed.

Live

Current status, accurate date/place, working ticket path, timezone/context, and update owner

Fans do not act on stale or ambiguous show information.

About

Verified bio, consistent name, meaningful context, image credit, and official profiles

People and machines receive one defensible identity source.

Press

Current angle, proof, selected media, labelled assets, details, contact, and update date

A press contact can evaluate and use the campaign without another request.

Contact/signup

Purpose, recipient, response expectation, consent language, confirmation, and failure path

Inquiries and fan permission are routed and recorded correctly.

How should the page map change when the project grows?

Architecture review

Grow from jobs, not template features

  1. 01

    Inventory

    Name the active jobs

    List the visitors, questions, content, actions, URLs, and owners the artist actually has now.

  2. 02

    Combine

    Keep thin jobs together

    Use sections and anchored links while the content remains clear, current, and easy to share.

  3. 03

    Separate

    Create the durable destination

    Split when the job needs its own audience, campaign URL, content depth, search intent, or update rhythm.

  4. 04

    Retire

    Redirect or remove stale paths

    Preserve useful URLs with an appropriate destination instead of leaving empty menu items and dead pages.

Six jobs do not mean six compulsory URLs

The architecture is a Velveteen operating model, not a Google page-count rule. A smaller site is better than a larger site full of duplicate bios, empty calendars, broken forms, and unmaintained assets.

reuse the verified About and Press facts in a one sheet

Which sources should guide page architecture and discovery?

Frequently asked questions

What pages are essential on a musician website?+

Cover the six visitor jobs defined below rather than copying a template menu. They are functions, not mandated URLs. Add store, video, lyrics, teaching, services, or other pages only when the artist has useful content, an audience need, an owner, and a reason to maintain a separate destination.

Can a musician website be one page?+

Yes, when the project is small and every job remains visible, linkable, usable on mobile, and easy to update. Separate content when press needs a stable shareable URL, a catalog needs durable release pages, live dates change independently, or contact and fan signup require distinct promises and handling.

Should every release have its own page?+

A durable page is useful when the release has unique context, credits, artwork, dates, links, video, press, or continuing search value. Do not create thin release pages that only repeat a player. A compact catalog can begin on one Music page and split into release URLs as the material earns depth.

What should appear in an artist website menu?+

Use short labels visitors understand, ordered by the project's current jobs. Home can be the logo or artist name; Music, Live, About, Press, and Contact are legible defaults. Do not expose empty sections, internal jargon, or several labels that lead to the same undifferentiated destination.

How often should an artist website be updated?+

Assign updates to events rather than a universal calendar: a release announcement changes Home and Music; a confirmed show changes Live; a new campaign changes Press; credits or team changes update About and contact. Review critical links, dates, forms, assets, titles, and structured data before every public campaign.

Bradley J Simons

About the author

Bradley J Simons

Bradley J Simons is a 4x Juno-nominated producer who makes music as Babbage and founded Velveteen. A former touring musician, he writes about releasing, pitching, and getting paid for music from the artist's side of the desk.

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