Split sheets & royalty splits

Fix Conflicting Song Registrations and Unequal Splits

Bradley J Simons
Bradley J Simons
4x Juno-nominated producer · founder of Velveteen
The short answer

Register only the composition share you control, using the signed split agreement and verified writer identifiers. If registrations conflict, preserve the current records, compare every claimant and percentage, correct your controlled claim in each relevant system, and contact the other parties with evidence. Collection bodies show conflicts and may hold money, but they do not decide ownership disputes.

Lead visual

The royalty waterfall

01

Spotify revenue pool

Subscriptions + ads

gross
02

Streamshare

Your share of listening

share
03

Rightsholder payment

Distributor or label

share
04

Artist net

Fees, splits, recoupment

net

Deduction

Distributor fee

Deduction

Collaborator splits

Deduction

Recoupable costs

A simplified payment-flow image showing why gross stream counts and artist take-home revenue are different numbers.

Royalties · Splits

Money path map

Use this for

Separate gross activity from the money that can actually reach you.

Watch for

Stream counts look encouraging while payable revenue is missing, delayed, or assigned to the wrong party.

Check

Rightsholders, collection societies, statement rows, splits, fees, and recoupment terms.

Result

A cleaner royalty map and a better next check before you chase payment.

Part of the Split sheets cluster.

Key takeaways

  • The signed agreement is the ownership source. A portal entry does not replace it.
  • Claim only the share you control, using verified names and IPI or CAE identifiers.
  • Modify the existing work when possible instead of creating a duplicate.
  • Inspect and correct performance and mechanical claims in their respective systems.
  • Collection bodies can flag or hold conflicting claims, but the parties resolve ownership.

How do you register unequal song splits correctly?

Start with the signed split agreement, not a remembered percentage. Verify every writer's legal name, society, and IPI or CAE number. Search the relevant repertoire before adding the work, then claim only the share you control. Keep the work code or ISWC, confirmation, and a copy of what each system accepted.

Put the agreed split in writing before registration

What should you do when co-writer registrations conflict?

Export or screenshot the current claims before editing. Build one row per claimant with the name, identifier, society, claimed share, controlled right, territory, and source document. Compare that table with the signed agreement and contact every affected co-writer, publisher, or administrator. State the exact field that differs and attach the evidence supporting the proposed correction.

Where to investigate a registration conflict
What the system can showWhat the parties must do
SongviewCombined society ownership dataCorrect the responsible society claim
The MLC Overclaims ToolMechanical claims exceeding 100%Reduce or substantiate conflicting claims
CMRRA counterclaim processPotential dispute and claimant recordsResolve ownership and send written changes
Signed agreementThe parties' documented allocationAmend it together if it is wrong

Do not edit another party's share by assumption

Correct the claim you control and ask the other claimant to correct theirs. If the agreement itself is disputed, get qualified legal advice. A collection body's repertoire view is not a court ruling on copyright ownership.

How do you correct a PRO song registration?

Find the existing work in your society account, preserve its work identifier, and use the available modification or support route for the claim you administer. SOCAN's current catalogue guide says a member can modify a work by copying the existing work, applying the change, and submitting it for a merge. Some changes require society confirmation.

For ASCAP, BMI, or another society, follow that organization's current member-support process rather than a third-party screen guide. Then inspect the repertoire again after processing. If the error also exists on the mechanical side, submit the matching correction to the relevant mechanical administrator separately.

What evidence should a correction file contain?

Keep the signed split agreement, each writer's verified identifier, the existing work code or ISWC, the before-and-after claims, submission confirmations, correspondence with claimants, and any publisher or administration agreement that establishes authority. Add dates and territories. That file makes follow-up possible when separate systems update on different schedules.

What does Velveteen's search evidence say?

This guide received 14 impressions and no clicks in Velveteen's Google Search Console export for June 19 through July 16, 2026, at an average position of 12.21. No exact conflicting-registration or PRO correction query appeared. Both problems share the same evidence and repair workflow, so this existing owner covers them together rather than creating two thin pages.

Where do the registration correction rules come from?

Frequently asked questions

Should every co-writer register 100% of the song?+

No. Each party should claim only the share they control or administer. The MLC specifically tells parties to register only administered shares. A work can have several valid claims, but their combined ownership should not exceed the whole work.

Should I create a new work to fix a wrong registration?+

Usually not. Search for the existing work and use the society's modification, correction, or claim process. A duplicate can create a second matching problem instead of repairing the first. Keep the existing work code or ISWC in the correction record.

What happens when claims exceed 100%?+

The MLC calls this an overclaim and notifies claimants so they can resolve it. CMRRA can place a work into potential-dispute or dispute status and may hold royalties depending on the claim and documentation. The claimants, not the collection body, must settle the ownership conflict.

Can Songview correct my ASCAP or BMI registration?+

Songview helps you inspect combined ownership data from ASCAP, BMI, GMR, and SESAC. Use it to find differences, then submit the correction through the organization responsible for your claim. A shared repertoire view is not one universal editing portal.

Do I need to correct performance and mechanical registrations separately?+

Yes, when the same error appears in both. A PRO registration covers performance-right data, while The MLC, CMRRA, or another reproduction-right administrator handles mechanical claims within its mandate. Correcting one system does not guarantee that the other will update automatically.

Bradley J Simons

About the author

Bradley J Simons

Bradley J Simons is a 4x Juno-nominated producer who makes music as Babbage and founded Velveteen. A former touring musician, he writes about releasing, pitching, and getting paid for music from the artist's side of the desk.

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