Album Art Specs: Size, Dimensions & Common Rejections
Album cover dimensions have to be square (1:1). Spotify accepts 640px to 10,000px per side; Apple wants at least 1,400px. Deliver JPG or PNG in sRGB or RGB, never CMYK, and don't upscale a small image. Export 3,000 x 3,000px to clear every distributor. Most rejections are content: URLs, social handles, logos, or a blurry file.
Square. Rectangular covers are rejected
Spotify minimum per side (10,000px max)
Apple Music minimum per side
Distributor standard, clears everyone
Key takeaways
- Cover art must be a 1:1 square. Spotify accepts 640px to 10,000px per side; Apple wants at least 1,400px. Rectangular images get rejected.
- Use JPG or PNG (Spotify also takes lossless TIFF). Color has to be sRGB or RGB. Both Spotify and Apple reject CMYK outright.
- Export 3,000 x 3,000px and you satisfy every major distributor at once. That 3,000px figure is the distributor standard, not a Spotify-published number.
- Don't upscale a small file to hit the minimum. It comes out blurry, and blurry gets rejected. Spotify says it plainly: don't upscale images.
- Most rejections are about content, not pixels: URLs, QR codes, social handles or logos, streaming-service logos, pricing, and references to CD or vinyl.
What are the exact album cover dimensions?
Start with the one rule that never bends: the cover is a square, 1:1. Rectangular images get rejected on sight. After that, the numbers differ by platform, but they all point the same direction, which is bigger and square. Here’s what each one actually asks for.
| Spotify | Apple Music | |
|---|---|---|
| Shape | 1:1 square. Rectangular not accepted. | 1:1 square. Must be square. |
| Dimensions | 640px to 10,000px on each side. | At least 1,400px. Recommends 3,000px or larger. |
| Format | TIFF (lossless only), PNG, or JPG. | JPG or PNG only. No other formats. |
| Color | sRGB, 24 bits per pixel. No embedded color profile. CMYK rejected. | RGB. CMYK explicitly rejected. |
| Quality | No upscaling. Blurry upscaled files rejected. | JPG or PNG at 100% quality. Don't upscale to hit the minimum. |
You don’t want to manage two files for two platforms, and you shouldn’t have to. Export one master at 3,000 x 3,000px, JPG or PNG, in sRGB, at full quality, and you’re inside every spec on this table at once. One thing worth being clear about: that 3,000px number isn’t a Spotify rule. Spotify only publishes the 640px floor and the 10,000px ceiling. The 3,000px figure is the distributor standard people settled on so a cover still looks sharp on high-DPI screens, the TV apps and car displays where a 640px file would look soft.
640px clears the minimum but I wouldn't ship it
A 640 x 640px file technically passes Spotify’s hard minimum, so a checker won’t flag it. That doesn’t make it a good submission. It’ll look soft the moment it lands on a big screen, and you only get one cover. Submit at 3,000 x 3,000px so the art holds up on a big screen, where a 640px file falls apart.
JPG or PNG, and why CMYK gets your cover bounced
For format, JPG or PNG is the safe answer because both Spotify and Apple take them. Spotify also accepts lossless TIFF, Apple does not, so if you want one file for both, skip TIFF and use JPG or PNG at full quality.
Color is where people get caught, and it’s worth knowing why. Your screen and the streaming platforms work in RGB (Spotify wants sRGB specifically, at 24 bits per pixel). Print works in CMYK. If you, or your designer, built the cover in a print layout or exported it from a print-first tool, the file defaults to CMYK without telling you. Spotify and Apple both reject CMYK outright. It’s not “usually fine” and it’s not auto-converted for you. So convert it to sRGB in your editor before you submit, and don’t just assume the file is already in the right space. One more Spotify-specific detail: Spotify doesn’t support embedded color profiles, so apply the profile to the image and export without embedding it.
The cover that gets rejected usually isn’t ugly. It’s a fine image saved in the wrong color space.
And resolution. Don’t take a small image and upscale it to reach the pixel minimum. Upscaling stretches the pixels you already have, it doesn’t invent new detail, so the cover comes out blurry, and blurry gets rejected. Spotify states it directly: don’t upscale images. The fix is never a bigger export from a small source. It’s a better original. Build or commission the art at 3,000 x 3,000px from the start so you’re never tempted to fake the size.
Run your whole release through the free metadata checker before you submit
What content gets album artwork rejected?
This is the part that surprises people, because the file can be perfect on every technical spec and still get bounced for what’s in the image. DSPs, and the distributors enforcing the rules on their behalf, reject a specific set of things. Here’s the list to check your art against before you upload.
Key takeaways
- URLs or website addresses of any kind.
- QR codes.
- Social media handles (Instagram, TikTok, X usernames) and social media logos. DistroKid lists this outright; DSPs enforce it through distributors.
- Streaming service logos or brand names. Apple prohibits iTunes and Apple logos; DistroKid extends it to Spotify and iTunes logos.
- Pricing (“$1.29”, “Free Download”) and references to physical formats (“CD”, “Compact Disc”, vinyl).
- Blurry, pixelated, or rotated images, including a low-res original upscaled to hit the size minimum.
- Pornographic content, or unlicensed stock photography without proper licensing.
The logic ties it all together once you see it. The artwork slot is for the release identity. That’s the image, and in a design sense the artist name and album title. DSPs won’t let it turn into an ad. A URL, a handle, a QR code, another platform’s logo, all of it points a listener somewhere off the platform, and that’s exactly what they block. Your Instagram goes in your bio. Your cover stays the cover.
One practical note on the pipeline. You submit artwork through your distributor, not straight to Spotify or Apple, and a distributor can set stricter limits than the DSP itself. DistroKid, for example, takes JPG only and wants at least 1,000 x 1,000px. A 3,000 x 3,000px JPG at full quality in sRGB clears all of them, which is the other reason that’s the file I tell people to export. And once it’s live, the cover is locked on most platforms. Changing it means going back through your distributor and waiting days for the update to propagate, so get it right the first time.
The one file that clears everyone
Here’s the whole thing in one breath. Export a square 3,000 x 3,000px image, JPG or PNG, in sRGB, at full quality, with no embedded color profile. Don’t upscale a small source to get there. Check the image itself for URLs, handles, QR codes, logos, prices, and physical-format references, and pull anything that points off-platform. Do that and your cover passes Spotify, Apple, and every distributor in between, on the first try.
Artwork is one field on a release that has plenty more that can get you rejected. The copyright lines decide where your master’s royalties go, and your audio file has its own format and resolution rules. For those two, see the P line vs C line guide and how to prep your audio file for distribution. For the full field-by-field walkthrough, start with the release metadata guide.
Frequently asked questions
What size should album cover art be?+
Square, and big. Spotify accepts anything from 640px to 10,000px on each side, and Apple Music wants at least 1,400px. To clear every distributor with one file, export 3,000 x 3,000px. That 3,000px figure isn't a Spotify rule, it's the distributor standard people use so the cover still looks sharp on TV apps and car displays. The one hard rule is the shape: it must be a 1:1 square. Rectangular images get rejected.
What file format and color space does cover art need?+
JPG or PNG works everywhere (Spotify also takes lossless TIFF, Apple does not). For color, use sRGB or RGB. Both Spotify and Apple reject CMYK outright, and CMYK is the trap, because files saved from a print workflow default to it. Convert to sRGB in your editor before you submit, don't just assume it's fine. Spotify also doesn't support embedded color profiles, so apply the profile and don't embed it.
Why does my album cover keep getting rejected?+
Almost always one of two things. Either the file is wrong (CMYK instead of sRGB or RGB, not square, or upscaled from something small and now blurry), or the content breaks the rules. DSPs reject any URL or website address, QR codes, social media handles and logos, streaming service logos or names, pricing, references to physical formats like CD or vinyl, and pornographic or unlicensed images. The cover is for the release identity, not advertising space pointing somewhere else.
Can I put my Instagram handle or website on my cover?+
No. Social media handles and logos, plus any URL or website address, are rejection triggers. DistroKid lists them outright, and other distributors enforce the same thing on the DSPs' behalf. Same goes for QR codes and streaming-service logos. The reason is simple: the artwork slot is reserved for the release identity, and DSPs won't let it become a billboard pointing to an outside platform. Put the handle in your bio, not on the cover.
Will upscaling a small image fix a low-resolution cover?+
No. Upscaling stretches a small image to hit the pixel minimum, but it doesn't add real detail, so the result is blurry, and blurry gets rejected. Spotify says plainly: don't upscale images. If your only source file is small, the fix is a better original, not a bigger export. Start from artwork that's natively 3,000 x 3,000px so you never have to fake the resolution.

Keep reading
Pillar guide
Release metadata guide
What metadata is, the ℗ vs © copyright lines, ISRC vs UPC, and the title and credit rules that decide whether your release is accepted and your royalties reach you.
Related guide
P line vs C line
The ℗ line covers your master, the © line covers the song and artwork. The format, the right owner, and the mistakes that misroute your royalties.
Related guide
Audio file prep
What file to hand your distributor: lossless WAV or FLAC, 44.1 kHz or higher, 24-bit, stereo, with headroom. Why you shouldn't master to a platform LUFS target.
Free tool · no signup
Write a stronger pitch in 30 seconds
Drop in your release context and get a critique-first Spotify pitch draft, weak spots, and a copy-ready description inside the 500-character limit.