Build your music team

Artist Data Room Checklist: What to Send Your Team

Bradley J Simons
Bradley J Simons
4x Juno-nominated producer · founder of Velveteen
The short answer

An artist data room should send each recipient only the records needed for their job. Give a manager a current career and rights overview, a publicist the approved press layer, a lawyer the relevant agreements and ownership evidence, and a grant jury the application subset. Keep a source, version, owner, sensitivity, expiry, and revocation record for every share.

Lead visual

A music team is a responsibility map

1

Artist

owns the direction

2

Manager

turns plans into motion

3

Lawyer

protects deal terms

4

Partner

amplifies the release

A relationship-map image for team, label-services, and deal-evaluation guides.

Career · Team

Team decision map

Use this for

Understand what a partner actually does before you give up money, rights, or control.

Watch for

The wrong support can cost more control than it returns in leverage.

Check

Role, incentives, fee, term, deliverables, approval rights, and what stays in your hands.

Result

A clearer yes, no, or not-yet decision about the next person or company around your project.

Part of the Building your team cluster.

Key takeaways

  • Build one controlled index, then create a smaller view for each recipient and mandate.
  • A manager needs decisions and career evidence. A publicist needs approved, usable press assets. A lawyer needs the records behind a specific legal question.
  • A grant jury gets the application subset, including the relevant budget and project evidence, not your whole career archive.
  • Record owner, source, version, sensitivity, approver, recipient, access date, expiry, and revocation for each share.
  • Use individual accounts, platform roles, and multifactor authentication where supported. Do not make a shared password the handoff plan.

What belongs in the master index?

Keep the master index broad enough to support the work, but make every item easy to classify. The verified data-room model covers identity, catalog, rights, financial, campaign, live, brand, legal, and team-access records. Add a source, owner, version, sensitivity, and review date to each record. The index tells you what exists. A recipient view decides what leaves it.

Master index fields

Record the context beside the file

Identity and entities

Stage name, legal entity, approved contact route, and ownership context

Restrict identity material and share only what the mandate needs.

Catalog and rights

Releases, recordings, compositions, identifiers, splits, and registrations

Lets a manager or lawyer trace a claim to its underlying record.

Press and brand

Current bio, photos, artwork, credits, links, and usage limits

Creates a safe shareable layer for publicity and applications.

Finance and proof

Budget, statements, approved analytics export, source, and date range

Stops a screenshot or old budget from becoming an unqualified career claim.

Access and decisions

Recipient, role, approver, start, expiry, review trigger, and revocation

Makes the room auditable when a project or relationship changes.

What should each recipient receive?

Start with the recipient's decision. You are giving them enough evidence to do one job, not asking them to explore your entire archive. The table below is a working boundary. Adjust it when a contract, application, or campaign names a different requirement.

Recipient view by job
ShareKeep out by default
ManagerCareer brief, catalog and rights map, release plan, live evidence, income categories, team map, and open decisionsPasswords, identity documents, tax records, and unrelated agreements
PublicistApproved one-sheet or EPK, bio, photos, artwork, credits, focus track, release facts, and usage limitsBanking, private contracts, raw analytics, and unreleased files outside the campaign
LawyerThe relevant agreement, ownership evidence, timeline, correspondence, and the question you need answeredA full archive that obscures the issue or unrelated confidential records
Grant juryThe requested application, project budget, eligibility evidence, and dated project materialsA standing folder, login access, or private records the application does not request

How do you turn the index into a handoff?

Recipient-specific handoff

Five states from request to removal

  1. 01

    01

    Name the job

    Write the decision, recipient, records, owner, and required end date before creating a share.

  2. 02

    02

    Prepare the view

    Use current versions, remove unrelated material, and mark sensitivity and usage limits.

  3. 03

    03

    Approve access

    Confirm the agreement or application requirement, then choose the minimum role or file access.

  4. 04

    04

    Log the share

    Record the source, recipient, approver, access date, expiry, and any permitted download or reuse.

  5. 05

    05

    Review and revoke

    At the expiry or relationship change, transfer work, remove access, and record what happened.

Worked exampleConstructed manager view

Purpose: evaluate a 12-month release and live plan Current records: career brief v3, catalog map v2, live evidence Jan to Jun 2026 Open decisions: manager scope, release sequence, booking territory Excluded: passwords, tax records, identity documents, unrelated contracts Owner: artist Access: named manager account, review 30 Sep 2026, revoke at end of mandate

Constructed example, not a real release
Purpose
A defined job keeps the share from becoming a permanent archive handoff.
Excluded
Naming sensitive material that is out of scope makes the boundary visible before access is granted.
review 30 Sep 2026
An expiry or review date creates a point where stale access can be removed.

Which assets make the press layer usable?

A publicist or application reviewer should not have to assemble your basic identity from scattered links. Keep the approved bio, image set, artwork, credits, and working links together, with usage limits and a contact owner. Apple Music for Artists' EPK guidance is a useful primary reference for the public-facing layer. The existing artist one-sheet and EPK guide covers that asset in more detail.

Keep the press layer separate from the evidence layer. Streaming proof, splits, budgets, and agreements may support a manager, lawyer, or application, but they are not automatically press assets. Give each file a date and source so the recipient can tell a current record from an old export.

How should access be protected?

Use individual accounts and delegated platform roles where they exist. Spotify for Artists documents team access, and CISA recommends multifactor authentication and least privilege as security practices. In practical terms, give a recipient the smallest role that completes the job, make the access accountable to a named person, and remove it when the reason for access ends.

If a lawyer needs one agreement, send that agreement and its supporting evidence. If a publicist needs a photo, send the approved photo and its usage terms. If a manager needs a career view, send the current view and log the review date. Smaller handoffs are easier to keep current and easier to revoke.

build the shareable press layer for your next handoff

Primary sources and related guides

For the wider team sequence, see the building your music team guide and its contract checklist before giving anyone continuing access.

Frequently asked questions

Should I send one artist data room link to everyone?+

No. Create recipient-specific views from one controlled index. A publicist may need approved photos and a bio, while a lawyer may need a contract and rights records. Banking, identity, tax, unreleased, and login material should stay out unless the mandate requires it.

What should I send a music manager first?+

Start with a current career brief, catalog and rights summary, release plan, live evidence, income categories, team map, and the decisions you need help making. Add source links and dates so the manager can see what is current without treating a screenshot as permanent evidence.

What should a publicist receive from an artist?+

Send the approved press layer: one-sheet or EPK, current bio, approved photos, artwork, credits, focus track links, release facts, contact owner, and usage limits. Keep contracts, banking, private analytics exports, and unreleased material out unless the campaign specifically needs them.

Do I send a grant jury my full data room?+

No. Send the exact application materials and evidence the program requests, with the relevant budget and project proof. A jury packet is a time-limited submission, not a standing invitation to browse your identity, contracts, passwords, or unrelated catalog records.

What happens to access when a team relationship ends?+

Review the agreement, preserve records you need, transfer current work, remove platform roles and shared links, rotate credentials where necessary, and record the revocation. CISA's least-privilege guidance supports removing access that no longer serves a defined job.

Bradley J Simons

About the author

Bradley J Simons

Bradley J Simons is a 4x Juno-nominated producer who makes music as Babbage and founded Velveteen. A former touring musician, he writes about releasing, pitching, and getting paid for music from the artist's side of the desk.

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